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The exhibition Moon in Your Mouth considers consent, intimacy and emotional labour in the realm of exhibition making.

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Thinking of consent in artist-curator relationships, curator Max Hannus asks how to think about consent as a methodological tool.

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As a parallel to the exhibition, both partners along with Bedside Productions come together to co-host I CONSENT, a three-day summer school convening around the investigative initiative.

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A red line - the red from the Rehearsing Hospitalities visual identity, is also the red from UKS identity. The crooked line is intended to resonate with the idea of consent and boundaries, a visualisation of "structures, principles and practices of consent within creative processes and working relationships" as stated by the curators.

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