I was commissioned to design the first two volumes in this ongoing publication series, which calls upon artists, organisers and kinksters to think about our positionality, desires and their relations to social strictures around us. Contributors come from multiple global locations; doing anti-racism work, anti-caste work, organising and thinking of Indigenous rights, Trans* rights, feminisms, BDSM, Sex Work and more.

from Samir Bhowmik's blog post: INFRAGRAPHY Volume 2. is a compilation of critical student artworks and short essays dealing with the materialities of media technologies and their environmental implications. These works and texts are the outcomes from the course ‘Media and the Environment’ in the Fall of 2019 at the Department of Media, Aalto University. The course was a series of scholarly readings about and around the themes of media including media’s relations and impacts on the so-called Anthropocene, thermocultures of media, ecologies of fabrication, media and plastics, Internet of Things, Planned Obsolescence, e-waste, and media’s energetic landscapes. A key approach of the course was also introducing artistic methods and practices that could address emerging media materialities. The final exhibition of the course was a collection of student artworks as a response to the contemporary discourse of political economy of media and related environmental implications.

A Brochure/Deck designed for WAITING directed by Anu Menon. The visual style of the deck resonates with that of the film - serene and unassuming, yet injected with sparks of warmth and intense emotion.

The book is an interpretation of the sound, look and personality of Swarathma, a Bangalore based folk fusion band.